Monday, 15 November 2010

15th November, 2010

In todays lesson we have spoken about why the main title sequences or the opening credits of a movie can be considered the most important in a film. And these are some of the thoughts from me :
- To know the genre of the film.
- To get an idea of what the film is about.
- To know what actors are in the film.
- To see the setting on the film.
- To attract a particular type of people.

These are some of the answers/thoughts given from a teacher:

- The quick clips outline the film makers intentions and set up the expectations of the people watching.
- Saul Bass, said, "Making a main title was like making a poster, you're condensing the event into this one    concept, this one metaphor; a back story that needs to be told or a character that needs to be introduced.''
- Titles function as a transition: taking on the responsibility of displaying the movies title, the studios brand identity; the name of the director.

We have then looked at the opening title sequence of the film 'Seven'. We have then had to write our first feelings towards this film as well as ask one question towards the film. My impression was that I was very interested in what is going on and what identities of the people were as we could only see parts of their body, such as fingers and hands. The question that I have been left with was 'What is the book about' as we only get a few views of lots of writing and the fact of it being hand made makes you want to feel it and find out more about it. After this task in our group of five have been given a micro feature to analyse which was Cinematography. So as we have watched the title sequence of 'Seven' we had to write down notes which were based on cinematography. This means that in our notes camera positions, colours, lenses, depth of focuses, lighting, framing, composing and special effects had to be included.

Cinematography analysis of 'Seven'
'Seven' title sequence uses a lot of extreme close ups, this is used to create tension for the audience as it makes you feel very uncomfortable and it puts you in discomfort. Also all of these shots are still, we are only able to see the movement of the peoples body features and some of the objects. Due to the fact of these extreme close ups being still we are unable to see the surroundings and where everything is set, this is to create a big mystery which people may want to reveal by watching the whole film. Most of the lighting in this title sequence is dull; this is to create a scary and an unpleasant atmosphere. Not only the lighting is dull but also the colours included are rather dark such as brown, black, dark blue, grey. These colours give the whole title sequence a very unpleasant effect. Rays of light have been used for the main features and objects to stand out. Some of the photographs are very shaky as well as lightning has been added to them, this is to create a more unpleasant effect towards the audience, as this type of effect may reflect a scary storm at night. Fast pace has been also included to flick through a lot of things creating excitement towards the movie, leaving the audience wanting more. This title sequence also includes flashes of red which create an effect of danger. Layering is one of the things that has been used but not so much, it shows photographs fading out onto other photographs. The letters and numbers are hardly visible as a flash has been added to them which creates a mysterious side of the film. Looking at just cinematography you are able to get an idea of what the film may be about and the uses of cinematography are very strong as they create different emotions towards the audience leaving them wanting to see more, and that is the main aim of the title sequence.




Class Analysis of SE7EN


A title sequence is the first thing the audience sees when the film starts, this being that it is very important that it gives of a first good impression. Within the film Se7en there are many things to consider in its title sequence, one of which being the mise-en-scene. Throughout this truly chilling title sequence there is no exterior or landscape shown which automatically leaves the audience with lots of questions in relation to the background information; the basic facts an average audience member would expect to know. We see a constant close up of the characters hands, never their face or body. Although we can see clearly sharp objects being used and there movement is very much the focus when they are involved in the frame. There are many different props used throughout the sequence which include: sharp objects, pen, paper, needle and thread and many old photos. Throughout the entire sequence the colour remains desaturated which we can only interpret as it having some relation to the forth coming events about to take place later on in the movie. The whole title sequence is film in a dark light setting, this suggests that the life is being drained out of the film this is also linked to how the character treats his victims. The final thing that sticks out in the sequence is that various things are highlighted in the props such as “homosexual” and “Transsexual” as well as cutting out the name “GOD” out of a clipping, to perhaps show the theme of religious belief and the connection to the person in the sequence; also the precision the person in the sequence has cold possibly be giving the audience an insight into the characters personality.

From the close-ups we can’t tell what or where the location is, but we can guess that it is in a confined room. The reason why I think this is because the person who is making this book doesn't want anybody to know about it. I thought that the location was very secretive, and because the shots were so close to his hands and almost zoomed in on everything it makes you feel almost claustrophobic; which I think helped to make it feel eerie and scary. I also thought that the person was a man from the look of his hands. From this title sequence I think that he was trying to get rid of his identity by scraping off his finger prints, which made me feel really uncomfortable because it was an image I really didn't like. This suggests that he could be a serial killer and has planned things through to not get caught also this person seems to know what they are doing. There are images of dead people and it looks like he is creating a scrapbook which he has put the picture in but we aren't sure what the scrapbook is of. I also thought that he would have been a perfectionist because everything was done with his own hands and it clearly showed that he took time and care with his work and it was obviously thoroughly planned, I could tell this from the way everything seemed so precise, he seems to document his work very obssessively, but with patience. I thought that the person was religious, because they cut out a piece of a dollar bill that had the word ‘God’ written on it and also at the end of the title sequence the song ended with ‘gonna get me closer to God’, this made me think that they are killing people for their deadly sins and that they were killing for God. He crosses out words such as "transsexual" which also makes me think that he is religious. I got the idea that it was the seven deadly sins because there are two 'sevens' in the title and because the first shot after the title sequence says 'monday' which could explain one of the sevens.

'Seven' title sequence uses a lot of extreme close ups, this is used to create tension for the audience as it makes you feel very uncomfortable and it puts you in discomfort. Also all of these shots are still, we are only able to see the movement of the peoples body features and some of the objects. Due to the fact of these extreme close ups being still we are unable to see the surroundings and where everything is set, this is to create a big mystery which people may want to reveal by watching the whole film. Most of the lighting in this title sequence is dull; this is to create a scary and an unpleasant atmosphere. Not only the lighting is dull but also the colours included are rather dark such as brown, black, dark blue, grey. These colours give the whole title sequence a very unpleasant effect. Rays of light have been used for the main features and objects to stand out. Some of the photographs are very shaky as well as lightning has been added to them, this is to create a more unpleasant effect towards the audience, as this type of effect may reflect a scary storm at night. Fast pace has been also included to flick through a lot of things creating excitement towards the movie, leaving the audience wanting more. This title sequence also includes flashes of red which create an effect of danger. Layering is one of the things that has been used but not so much, it shows photographs fading out onto other photographs. The letters and numbers are hardly visible as a flash has been added to them which creates a mysterious side of the film. Looking at just cinematography you are able to get an idea of what the film may be about and the uses of cinematography are very strong as they create different emotions towards the audience leaving them wanting to see more, and that is the main aim of the title sequence.

The sound of the title sequence creates a disturbing feel. At the beginning it shows the character preparing to sleep, a clicking sound is used as the background which could be connoting a ticking clock counting down, showing that it is a countdown for something that is going to happen. In the sequence the character is crossing out words and pictures, every time he crosses something out you hear a scratchy screechy sound. This could be implying that the things he is crossing out are his next victims, as the screeching sound could be the person screaming and the scratchy sound could be the way they are killed. By putting this disturbing sound track in the background of the sequence with the close up images it creates a sense of confusion, as the audience has to take in the creepy sound and the glimpses of images together trying to make sense of them both at the same time.

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